HCMC-Tet flower festival
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Phu My Hung in District 7
The annual Spring Flower Festival as part of celebrations for the lunar new year (Tet) holiday.
On 7 ha, the festival will have four main areas: a spring road, a spring wharf, a spring garden, and a display of flower and plant art works.
Hanoi-Spring 2020 Collection
Until Feb 16
Hanoi Studio Gallery, 13 Trang Tien Street
From the organizer:
We are delighted to announce Spring 2020 Collection by 13 painters and sculptors: Vu Dinh Tuan, Mai Xuan Oanh, Lieu Nguyen Huong Duong, Pham Thai Binh, Nguyen Tran Cuong, Nguyen Dinh Vu, Tran Van An, Nguyen The Hung, Do Hiep, Nguyen Quoc Trung, Vu Binh Minh, Doan Van Toi, and Nguyen Tuan Dung.
Hanoi-Exhibition “The Foliage 3”
Until Feb 23 (Tue – Sun), 10 am – 8 pm
Vincom Center for Contemporary Art (VCCA)
B1 – R3, Vincom Mega Mall Royal City
72A Nguyen Trai, Thanh Xuan District
From VCCA:
On 20 Dec 2019, “The Foliage 3” will return to the audience with a brand new look at Vincom Center for Contemporary Art (VCCA). The exhibition follows the original idea of “Foliage” – a gathering of large-scale quality contemporary works held annually by VCCA with the mission of supporting, connecting and spreading art to the grand public.
Hanoi-”Untitled Fictions in the Age After Divinity”
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Manzi Art Space,2 Hang Bun alley,
From Manzi:
Hanoi-Exhibition: “Green river, blue mountain”
Jan 10 – Feb 29
L’Espace, 24 Trang Tien Street
From L’Espace:
L’Espace is pleased to present the exhibition – installation “Nước xanh non biec” (Green river, blue mountain) of visual artist Le Giang, the winner of the resident artist program “Tuong ho” Villa Saigon 2019
Following her works during a three-month stay at the Cité Internationale des Arts (Paris), based on the archives of an international colonial exhibition chain that took place from 1906 to 1931 in France, Le Giang extracted images of Vietnam colonial period created in French popular culture. In the process of examining these historical documents, she turned her query gaze into the shared past between the two countries. The “Green river, blue mountain” exhibition is an attempt by Le Giang to identify painful obstacles in dealing with a region of conflicting memories, as well as the need to face the myths about Indochina in the current Vietnam context.
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